Typographical ‘Painting’ – broadside, L’Ecole des Arts Graphiques, 1947

This piece appears (in black and white) on page 85 of the second edition of Design with Type. Carl Dair’s caption reads: “… an exercise in contrasts done as an abstract typographical ‘painting’ and executed for the author by students at L’Ecole des Arts Graphiques, Montreal, under the supervision of Arthur Gladu in 1947.”
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Notes

Since the earliest days of the trade, printers and typographers have been ‘painting’ with type. In the 19th century, compositors who excelled at creating decorative forms using type material were often called ‘rule benders’ – the name came from their ability to bend lead rules into various shapes and then set type within them.

In the 20th century, many typographers were drawn to the abstract potential of letterforms and began creating non-representational typographic ‘paintings’. This piece – produced under Arthur Gladu’s supervision at L’Ecole des Arts Graphiques – is an early Canadian example of that impulse. It was also a touching gift for Carl Dair. – Rod McDonald

Items in this Collection

Title: Curabitur blandit tempus porttitor

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Artifact

Article Data

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Date

1947

Title

Typographical ‘Painting’

Description

Broadside

Three-colour letterpress printed broadside

8 × 10 inches (approximately)

Publication

Publisher

Client

Carl Dair

Credits

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Biography:

Designed and printed by students at L’Ecole des Arts Graphiques, Montreal

Principal Typefaces

Display: Garamond Italic, Bodoni, wood type and various type rules and furniture

Region

Quebec

Language

English

Holding

The Carl Dair Papers at the Robertson Davies Library, Massey College, University of Toronto

Copyright Status

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